Archive for the ‘Uncategorized’ Category
Poster Presentation
December 11, 2009Class blog
October 30, 2009Some Categories to Consider…
October 30, 2009Some categories that, as I’ve been reading, I’ve found posters fit into include:
Advertising Posters (Literary, Theatre, Consumer Goods, Travel, etc.)
Publicity Posters
Public Service Announcement Posters
War/Propaganda Posters
Postwar Tendencies, pgs. 313-315
October 29, 2009“It may appear easier to follow the development of the poster in recent times, but in fact the poster today has acquired a much greater importance and a much more complex character than it had in the past. Earlier it was possible to single out the middle European poster, or the French poster, or the Russian poster, or the French poster after Cheret, and so on, but now national and cultural distinctions can no longer be made.” p. 313
“A poster should never be thought of as a painting; it should be considered only in the context of the specific publicity campaign to which it belongs. Among other things, a publicity poster on a wall is a reduced image of a more complex advertising message that establishes a dialogue with the viewer. Beacause of this, a history of posters abstracted form their social context and the specific advertising campaigns in which they figured would be incomplete and misleading.
I would suggest, therefore, that to trace the development of postwar posters, one should try to reconstruct the context in which they appeared. Only by considering them as part of their respective publicity campaigns, rather than as the work of individual artists, can a historically accurate appraisal of them be made.” p. 315
German Expressionism and the War Poster in the West
October 28, 2009“The expressionist revolution was influenced by the discovery in the West of Japanese wood engravings, the revival of populist nationalism, the Jugendstil, and a certain civic-mindedness. Expressionism—which was symbolic, emotional, sometimes violent, and always non-realistic—had a particular impact on film poster, for example the 1919 poster for The Cabinet of Dr. Caligari [by Stahl-Arpke]…It also greatly affected posters created during and immediately after the First World War.”
Oskar Kokoschka (1886-1980) was heavily influenced by painters such as Gaugin, Van Gogh, Munch, and Klimt. He created complex posters for theatre productions and literary novels, geared towards the elite educated class.
However, he also made wartime posters (such as Neider mit dem Bolschewismus, 1919). Wartime posters were specific to the style popular in the countries they were made. Thus, in France and The United States they were realistic.
Half way there…..
October 25, 2009Hey guys,
Hope you all are having a good weekend. I was wondering if you guys would have a few minutes to stay after Allan’s class Tuesday to discuss where we are and how to go about the presentation and the paper. I’m gonna finish up American Poster Art of the early 19th century. I’ve traced back to the Japanese prints, so maybe we can research the history of printmaking (Ian you might know a good bit about that already) to cover the pre-French Poster Art time period, and then start on the more contemporary stuff. I think the major points we still need to hit are the Polish posters, travel posters, early Hollywood movie posters, and the 60’s Fillmore/pschyadelic music posters. If anyone has some stuff they’d like to add to that, just post. I’ll start drafting some paragraphs on what we’ve covered, post it, and we can all begin to edit together. Hope to see you guys Tuesday.
-Lindsay
“The Art Nouveau Tradition in Europe,” Max Gallo, pages 303-304
October 20, 2009“The style variously called liberty, art nouveau, and Jugendstil [literally translated as ‘youth style’] was a phenomenon that emerged across Europe. it led to a substantial change in the relationship of words and images in posters, and except in France it dominated the culture of Europe for fifteen years, spanning the turn of the century.” p. 303
Artists who represent the style in England: William Morris (1834-96), Aubrey Beardsley (1872-98)
In Scotland: Margaret Macdonald (1865-1933), Frances Macdonald (1874-1921), Charles Rennie Mackintosh (1868-1928)
In France: Alphonse Marie Mucha (1860-1939)
In Belgium: Jan De Velde (1863-1957)
In Austria: Gustave Klimt (1862-1918)
Gothic lettering had a massive effect on poster illustration at this point.
William Morris was influenced by 15th century Flemish manuscript decorations
In the beginning, Mucha designed his posters in the tradition of Cheret.
“The most inventive contributors to the Jugendstil were [Jan] Toorop and [Henry] van de Velde…In van de Velde’s very famous poster for Tropon (1899) the illustration is ambiguous and allusive, almost as abstract as a trademark, while the inscription is explicit. The Jugendstil is a far cry from the realism of French posters at the end of the nineteenth century.”
Lautrec’s Japanese Influences
October 17, 2009Coles Phillips
October 9, 2009COLES PHILLIPS
- Coles Phillips 1880 -1927 – Springfield Ohio, lower middle class
- was 1st to introduce Art Deco styles into advertising design
- Saturday Evening Post with very modern and seductively designed women
- first pin-up girl- Fadeaway girl
- 1907 and 1927- one of most popular illustrators in nation (contemporaries were leyendecker and flagg)
- Kenyon College 1902- college’s monthly magazine was first publication -dropped out junior yr to go to NYC
- American Radiator- fired after found caricature of the boss > same night story told to Life publisher J.A.Mitchell- saw cartoon, asked to meet Phillips> job offer- declined to take art lessons
- hired as staff artist few years later- immediately popular w Life audience
- Fadeaway Girl – girl linked cleverly to background color – illusion of figure coming forward and receding simultaneously
- had to study proportions of canvas, cover dimensions resulting final published, negative shapes and positive shapes had to be interchangeable
- advertising illustrations: Willys Overland Automobiles
- Spirit of Transportation competition- his entry impressed all w composition & use of pastels
- other covers: Good Housekeeping, Colliers, The Ladies’ Home Journal, McCall’s, Saturday Evening Post, Women’s Home Companion, Liberty
- introduced more sexuality in advertising illustration w ‘Miss Sunburn’ Suntan lotion ad
- probably influenced by Maxfield Parrish in composition, possibly technique (Jell-O ads & Community Silver for Oneida)
- cerebral approach & design device- appealed to mass audience
- close friends & neighbors w Leyendecker
- died @ 47
National Museum of American Illustration
Vernon Court, 492 Bellevue Avenue, Newport, Rhode Island, 02840, USA
http://www.americanillustration.org/html/Phillips/Bio_Phillips.html
author of article n/a